Amazon is poised to become the first Trillion Dollar Company by market capitalization. If this were to occur, it means $AMZN stock would sell for $2,076 per share. That’s a 43% upside from today’s current price per share of $1,451.
$ 1 T / 482 M Shares Outstanding = $2,076 per share
$AMZN has gained almost 50% in value over the last three months.
“There is a lot cash on the sidelines. Not just investor cash…Banks have a lot cash. Corporations have a lot cash. We’re going to be inundated with cash. That’s going to produce a lot of stimulation and perhaps a market blowoff. That is, a situation where if you are holding any cash you’re going to feel pretty stupid. With that, everyone is going to be more deployed. Classically, this is late cycle behavior. As you get that movement, the question becomes how does the federal reserve react, or how do central banks react?”
“To the extent that governments are getting weaker and are seen as less legitimate, companies are going to be required to be more ‘patriotic’. They are going to be required to do more for citizens, as opposed to just shareholders.”
Borders can be concrete walls or intercellular membranes. In either case, disgust elicits feelings of maintaining one’s purity, of keeping others out.
Microbes killed millions more of our ancestors than did Tigers and Bears. Whoever can keep themselves and their children from being exposed to illness, wins the evolutionary game. Disgust is judging carefully about people. Is he dangerous? Is she dangerous? That is, our bodily interactions structure how we think about social issues.
Finished reviewing the manuscript for my ‘Can Twitter predict the outcome of the U.S. Presidential Election?’ case study, which will be included in Dr. Kristen Sosulski’s forthcoming book Insights into Becoming Visual, out on Routledge Press this Spring 2018. Feeling the author vibe, and stoked! 💪💪💪
MN360° – Your performance is both song and narrative. How did storytelling become part of your act?
JC – The storytelling was around way before the music. Growing up, I was the class clown. I was the guy who would tell the stories. So that’s older than the music and came way more naturally. The music was a lot harder for me.
“Growing up, I was the class clown. I was the guy who would tell the stories.”
JC – One of my friends, a dear friend who I credit for having a huge influence on me. He was a little out of the box, really artistic. He had a different way about him. He wasn’t buying into the normal, suburban way, you know?
So he got a guitar when we were about 15 years old. He was really talented, playing the guitar a lot…I looked up to him. One day, he showed me…He was like, ‘It’s not that hard!’ He showed me some chords. That was the pivotal moment for me. The moment I knew it was possible. It changed everything.
I think that a lot of times you just need someone to be like, ‘Yeah, you can do this!’
“I think that a lot of times you just need someone to be like, ‘Yeah, you can do this!’”
Also, in the early 90s, Bob Dylan was not cool. I knew Dylan in the sense of a historical figure, but I had not heard his music. It wasn’t until someone gave me a copy of Freewheelin’ … that was the catalyst for my songwriting.
“It wasn’t until someone gave me a copy of Freewheelin’ … that was the catalyst for my songwriting.”
MN360° – You have been quoted as saying, “I know that the purpose of music is not to make people feel better, but to make them feel like they are not alone.” Can you elaborate?
JC – People listen to sad songs when they are sad. Why do we do that? It doesn’t cheer us up, but that’s not the point. The point is…What we are really seeking with art is connection. To feel like, ‘Oh, they get it.’
If you’re bummed out, ‘Walking On Sunshine’ is not going to work for you. That doesn’t do it, and we all know that… It’s funny that we disregard that reality.
The best music is relatable, it makes us feel like we are not alone. That’s what I have always thought the purpose of music is… on all levels, whether it is a happy song or a funny song or a sad song.
“People listen to sad songs when they are sad. Why do we do that? It doesn’t cheer us up, but that’s not the point. The point is…What we are really seeking with art is connection. To feel like, ‘Oh, they get it.’”
MN360° – You studied math in college. How does math influence your creative process?
JC – I was at UC Santa Cruz, so it was more of a hippie kind of math. Lot of fractals. Lot of looking at pineapples, you know, getting high. Lot of looking at ferns…Storytelling is somewhat mathematical. Not so much in what we think about as math, like algebra. More so in putting things together–structure.
“Storytelling is somewhat mathematical. Not so much in what we think about as math, like algebra. More so in putting things together–structure.”
On structure, songwriting and architecture…How crazy is it to visualize how a building is going to look before you make it? Songwriting is similar in that you hear the general vibe you want before laying the foundation.
MN360° – Is the Apocalypse over?
JC – That was a metaphor for all the hippies who were talking about 2012, the end of the Mayan calendar. Remember that? They were like, “Cool, Babylon will crumble! I won’t have to work my stupid job anymore.” So the lyric is a reference to that. I guess I should have put quotes around “Apocalypse.”
MN360° – What is the most uncomfortable place you have slept while on tour?
JC – Many years ago, I was playing in this town called Winter Park, Colorado, up in the mountains. I finished the gig and was going to sleep in my Astrovan. Then, I looked at my phone, and the app said it was 1° outside…fahrenheit. I was like, “I’ll die…I’m from California. I’ll die sleeping outside.”
Went back to the bartender and said, ‘Hey man, I don’t mean to seem pushy, but do you have a couch I could crash on? It’s 1° outside, and I’m afraid I’ll die if I sleep outside tonight.’ Luckily, he said, ‘Sure, I’ve got to close up the bar. It’s going to be another few hours. Here’s the address. The door is unlocked. You can sleep in the guest room.’
I get to the place, and it’s freezing in the guest room. Though, I was like, ‘It’s better than sleeping outside.’ Got in the bed, curled up, and went to sleep. Hours later, I woke up covered in snow–there was snow all over the bed. One of the windows…the blinds were down, but the window was open. Snow had been blowing in on me all night.
So I would have been better off sleeping in my car.Though, I just went over and closed the window.
JC – I am into astrology because I lived in Santa Cruz for 5 years. Originally, the title was going to be ‘Mercury in Retrograde… Just kidding’. After talking to some friends, I thought it would be even funnier and maybe a little less intense if I made up something that doesn’t exist, ‘Capricorn in Retrograde’, which is not a thing, you know.
MN360° – How was the time you spent on tour with @JackJohnson?
JC – We had a lot of fun. Probably the funnest thing we did…we had a night off and went to see @JohnMayer perform at The Gorge. You know, I would not normally go to see John Mayer in concert, so it was a trip to go to that show with Jack, sitting there with these two elder statesmen of modern songwriting. That was a surreal night.
MN360° – What percentage of the time do you perform with your eyes open?
JC – I’d say 2 percent–when I’m making a joke about having my eyes open.
I’ve got a new single, ‘Know Everybody You Meet’. You can stream it now on @spotify , at the link above. The song is about discovering the divine within all: ‘God is Love, You are Love, We are Love, Love is Everything’. Special thanks to @matjownz who helped to bring it together, and channeled that ‘Kenny Buttrey’ feel. Also, I’m singing.