.@JeffBezos – Recommendations for the U.S. Government

Starts at the 7:45 mark.

The U.S. Government should:

  1. Use commercial technologies wherever possible, saving tax payers trillions of dollars.
  2. Retrain and up-skill workers across the U.S.
  3. Invest in machine learning and artificial intelligence. That could be used in every part of government to improve services provided to its citizens.

.@JonHaidt @JordanBPeterson – Politics of Disgust

Borders can be concrete walls or intercellular membranes. In either case, disgust elicits feelings of maintaining one’s purity, of keeping others out.

Microbes killed millions more of our ancestors than did Tigers and Bears. Whoever can keep themselves and their children from being exposed to illness, wins the evolutionary game. Disgust is judging carefully about people. Is he dangerous? Is she dangerous? That is, our bodily interactions structure how we think about social issues.

Can twitter predict the outcome of the U.S. presidential election?

Finished reviewing the manuscript for my ‘Can Twitter predict the outcome of the U.S. Presidential Election?’ case study, which will be included in Dr. Kristen Sosulski’s forthcoming book Insights into Becoming Visual, out on Routledge Press this Spring 2018. Feeling the author vibe, and stoked! 💪💪💪


This interview first appeared on www.musicnews360.com .

Credit: Bradley Cox





Tour Dates


Live Studio
Capricorn in Retrograde… Just Kidding… Live in Portland (2016) No Rain, No Rose (2017)
Make Your Own Legend (2011) Working on My Farewell (2015)
Live in the Living Room (2008) The Apocalypse is Over (2013)
October is the Kindest Month (2011)
Montana Tale (2009)


@MusicNews360 caught up with @JohnCraigie between two nights of recording a forthcoming live album in Portland, OR (@MississippiStud & @DougFirLounge). We talked about the apocalypse, fractals, astrology, and hanging out with @JackJohnson. Below are excerpts from our conversation.


MN360° – Your performance is both song and narrative. How did storytelling become part of your act?

JC – The storytelling was around way before the music. Growing up, I was the class clown. I was the guy who would tell the stories. So that’s older than the music and came way more naturally. The music was a lot harder for me.

“Growing up, I was the class clown. I was the guy who would tell the stories.”

– @JohnCraigie

MN360° – What sparked your interest in music?

JC – One of my friends, a dear friend who I credit for having a huge influence on me. He was a little out of the box, really artistic. He had a different way about him. He wasn’t buying into the normal, suburban way, you know?

So he got a guitar when we were about 15 years old. He was really talented, playing the guitar a lot…I looked up to him. One day, he showed me…He was like, ‘It’s not that hard!’ He showed me some chords. That was the pivotal moment for me. The moment I knew it was possible. It changed everything.

I think that a lot of times you just need someone to be like, ‘Yeah, you can do this!’

“I think that a lot of times you just need someone to be like, ‘Yeah, you can do this!’”

– @JohnCraigie



Credit: @littlegreeneyes

Also, in the early 90s, Bob Dylan was not cool. I knew Dylan in the sense of a historical figure, but I had not heard his music. It wasn’t until someone gave me a copy of Freewheelin’ … that was the catalyst for my songwriting.

“It wasn’t until someone gave me a copy of Freewheelin’ … that was the catalyst for my songwriting. 

– @JohnCraigie

MN360° – You have been quoted as saying, “I know that the purpose of music is not to make people feel better, but to make them feel like they are not alone.” Can you elaborate?

JC – People listen to sad songs when they are sad. Why do we do that? It doesn’t cheer us up, but that’s not the point. The point is…What we are really seeking with art is connection. To feel like, ‘Oh, they get it.’

If you’re bummed out, ‘Walking On Sunshine’ is not going to work for you. That doesn’t do it, and we all know that… It’s funny that we disregard that reality.

The best music is relatable, it makes us feel like we are not alone. That’s what I have always thought the purpose of music is… on all levels, whether it is a happy song or a funny song or a sad song.

“People listen to sad songs when they are sad. Why do we do that? It doesn’t cheer us up, but that’s not the point. The point is…What we are really seeking with art is connection. To feel like, ‘Oh, they get it.’”

– @JohnCraigie

MN360° – You studied math in college. How does math influence your creative process?

JC – I was at UC Santa Cruz, so it was more of a hippie kind of math. Lot of fractals. Lot of looking at pineapples, you know, getting high. Lot of looking at ferns…Storytelling is somewhat mathematical. Not so much in what we think about as math, like algebra. More so in putting things together–structure.

“Storytelling is somewhat mathematical. Not so much in what we think about as math, like algebra. More so in putting things together–structure.”

– @JohnCraigie

On structure, songwriting and architecture…How crazy is it to visualize how a building is going to look before you make it? Songwriting is similar in that you hear the general vibe you want before laying the foundation.

MN360° – Is the Apocalypse over?

JC – That was a metaphor for all the hippies who were talking about 2012, the end of the Mayan calendar. Remember that? They were like, “Cool, Babylon will crumble! I won’t have to work my stupid job anymore.” So the lyric is a reference to that. I guess I should have put quotes around “Apocalypse.”

Credit: @danielnjohnson

“I guess I should have put quotes around ‘Apocalypse.’”

– @JohnCraigie

MN360° – What is the most uncomfortable place you have slept while on tour?

JC – Many years ago, I was playing in this town called Winter Park, Colorado, up in the mountains. I finished the gig and was going to sleep in my Astrovan. Then, I looked at my phone, and the app said it was 1° outside…fahrenheit. I was like, “I’ll die…I’m from California. I’ll die sleeping outside.”

Went back to the bartender and said, ‘Hey man, I don’t mean to seem pushy, but do you have a couch I could crash on? It’s 1° outside, and I’m afraid I’ll die if I sleep outside tonight.’ Luckily, he said, ‘Sure, I’ve got to close up the bar. It’s going to be another few hours. Here’s the address. The door is unlocked. You can sleep in the guest room.’


I get to the place, and it’s freezing in the guest room. Though, I was like, ‘It’s better than sleeping outside.’ Got in the bed, curled up, and went to sleep. Hours later, I woke up covered in snow–there was snow all over the bed. One of the windows…the blinds were down, but the window was open. Snow had been blowing in on me all night.

So I would have been better off sleeping in my car.Though, I just went over and closed the window.

That was a weird night, for sure…

MN360° – Do you follow astrology? Is there significance to your album titled ‘Capricorn in Retrograde… Just Kidding… Live in Portland’?

JC – I am into astrology because I lived in Santa Cruz for 5 years. Originally, the title was going to be ‘Mercury in Retrograde… Just kidding’. After talking to some friends, I thought it would be even funnier and maybe a little less intense if I made up something that doesn’t exist, ‘Capricorn in Retrograde’, which is not a thing, you know.

MN360° – What is your astrological sign?

JC – Gemini.

MN360° – How was the time you spent on tour with @JackJohnson?

JC – We had a lot of fun. Probably the funnest thing we did…we had a night off and went to see @JohnMayer perform at The Gorge. You know, I would not normally go to see John Mayer in concert, so it was a trip to go to that show with Jack, sitting there with these two elder statesmen of modern songwriting. That was a surreal night.

MN360° – What percentage of the time do you perform with your eyes open?

JC –  I’d say 2 percent–when I’m making a joke about having my eyes open.

(Referring to the song titled “I Wrote Mr. Tambourine Man”, featured on the Music News 360° – October 2017 Playlist).

Credit: @jayblakesberg

MN360° – If you could have a billboard with anything on it, what would it say?

JC – ‘Be nice to each other’. That’s probably cliche, but that’s what I would say.

“Be nice to each other.”

– @JohnCraigie

Credit: Maria Davey


Tom Kitty Oliver – Know Everybody You Meet

I’ve got a new single, ‘Know Everybody You Meet’. You can stream it now on @spotify , at the link above. The song is about discovering the divine within all: ‘God is Love, You are Love, We are Love, Love is Everything’. Special thanks to @matjownz who helped to bring it together, and channeled that ‘Kenny Buttrey’ feel. Also, I’m singing.

.@TFerriss – ‘Silicon Valley, a peculiar form of McCarthyism masquerading as liberal open-mindedness’

5) Silicon Valley also has an insidious infection that is spreading — a peculiar form of McCarthyism (https://en.wikipedia.org/wiki/McCarthyism) masquerading as liberal open-mindedness. I’m as socially liberal as you get, and I find it nauseating how many topics or dissenting opinions are simply out-of-bounds in Silicon Valley. These days, people with real jobs (unlike me) are risking their careers to even challenge collective delusions in SF. Isn’t this supposed to be where people change the world by challenging the consensus reality? By seeing the hidden realities behind the facades? That’s the whole reason I traveled west and started over in the Bay Area. Now, more and more, I feel like it’s a Russian nesting doll of facades — Washington DC with fewer neck ties, where people openly lie to one another out of fear of losing their jobs or being publicly crucified. It’s weird, unsettling, and, frankly, really dangerous. There’s way too much power here for politeness to be sustainable. If no one feels they can say “Hey, I know it makes everyone uncomfortable, but I think there’s a leak in the fuel rods in this nuclear submarine…” we’re headed for big trouble.

History does not repeat but it often rhymes

Mark Twain is often reputed as to have said, “History does not repeat but it often rhymes.” 

The French Revolution – The causes of the French Revolution are complex and are still debated among historians. Following the Seven Years’ War and the American Revolutionary War,[5] the French government was deeply in debt and attempted to restore its financial status through unpopular taxation schemes, which were heavily regressive. Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789. The first year of the Revolution saw members of the Third Estate(commoners) taking control, the assault on the Bastille in July, the passage of the Declaration of the Rights of Man and of the Citizen in August, and a women’s march on Versailles that forced the royal court back to Paris in October. A central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime.

.@Ruskoff – ‘We’re Not Using the Internet. The Internet is Using us.’

There was a thriving peer to peer economy right at the end of the Middle Ages that nobody likes to talk about. The soldiers had come back from the Crusades. They had all sorts of new inventions and technologies and mechanisms; there were new trade routes that they had opened up. And they had came back to their towns and they took something that they found in the Middle East called the bazaar and they revived it as something they called the marketplace. So now people who had just been peasants working on the land of the Lords started coming together and trading this stuff that they made. And they had all of these really interesting instruments from market money and local currency and grain-based currency and all of these evolved really to promote the exchange of value and the velocity of transactions between people.

And it started to really do well, which was the problem. As the peasants became wealthy the aristocracy got scared, who are these people? They’re not going to be dependent on us any more. So they came up with two main financial innovations to prevent the rise of this peer to peer economy. The first one was the chartered monopoly, really the parent to the modern corporation. All the chartered monopoly was was a way to say all of you small businesses are now illegal. If you want to be in the shoe business you have to work for his majesty’s royal shoe company. You want to be in the grain business you have to work for his majesty’s royal grain company. So people who were small business people now became employees. Instead of selling the value they created, now they sold their time as servants, as wage laborers.

The second invention they came up with was central currency. Not such a terrible thing in itself. It’s great to have a long distance currency that lots of people can use and value, but the problem was they made all of the local currencies illegal. So the only way people could trade with each other, the candlestick maker could trade with the chicken farmer was by borrowing central currency from the treasury. So now you had to borrow money at interest just in order to transact. And that set in motion really a growth cascade. If you have a currency that has to be paid back with interest, in order to just make end meet you need an economy that’s growing. You need more money next year than there was this year.

So that worked well for colonial powers, as long as we could extend into Africa and South America and North America, find slaves, find new resources, we could grow. But what happens when you reach the end of the planet’s growth as we did really at the end of World War II? Then we started to look for really virtual surface area, some new way to grow. And that was the technology. We believed that digital technology and the World Wide Web and computers would really create a new place, a new virtual territory for us to colonize. And it just turns out what we’ve been colonizing for the last 20 years is human attention and human time. And now it looks like we’re even running out of that.